Most Popular
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Red Alert: Everything they really don't want you to know about those pesky traffic-light cameras
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Ludo is fired up and ready to play on the national stage
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Seeing Red: Partners battle over a Wash. Ave. eatery's ownership
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Curious Gorge: Ian tests the animal magnetism of Three Monkeys
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Feel a Draught?: Tigín opens an outpost in a Hampton Inn downtown? O'Really!
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Seeing Red: Partners battle over a Wash. Ave. eatery's ownership (15)
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Red Alert: Everything they really don't want you to know about those pesky traffic-light cameras (10)
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7-Up vs. Coke Part 2 (6)
Heir to a fortune, Andrew Gladney went from John Burroughs to Yale and came home to found the dot-com darling Savvis Inc. Then he squandered it all. The spectacular flameout of a St. Louis soft-drink scion.
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Is a Wash. U. dean destroying alumni records and making unjust department cuts? (3)
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Can Taqueria los Tarascos' tacos make you feel homesick for a place you've never lived? Si! (2)
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Post-Dispatch and STLtoday.com Drop "Mamalogues" Columnist Dana Loesch
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SXSW: The Aftermath and the Comedown
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Gut Check's Hibernation Almost Over
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This Is Hawkwind -- Do Not Panic
06:08PM 11/09/07
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Recent Articles By Deborah Cottin
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Fish Story
Trout Fishing in America hooks us
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Last Dance
St. Louis native Geoff Myers leaves Hubbard Street Dance Chicago with a flourish
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Dance-a-palooza
St. Louis is visited by not one but two world-renowned modern dance companies -- in one weekend
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Vaginas, Unite!
The Vagina Monologues phenomenon finally reaches St. Louis
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You Can Dance
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National Features
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Phoenix New Times
Canine Crusaders
That drug-sniffing dog up ahead? He may not be your best friend.
By Ray Stern -
Broward-Palm Beach New Times
The Muscle Men
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Miami New Times
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Farm workers earn nada in America's green-bean capital.
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Village Voice
"Why I'm No Longer a Brain-Dead Liberal"
An election-season essay from one of America's greatest playwrights.
By David Mamet
Last Dance
A St. Louis dance legend brings down the curtain -- sort of
By Deborah Cottin
Published: December 4, 2002After months of soul-searching, it's officially transition time for Gash/Voigt Dance Theatre. This weekend's performance marks the final time artistic directors Susan Gash and Beckah Voigt will unite to create a self-produced work. "This is truly a celebration," says Gash. "We hope everyone will come celebrate with us."
Known both locally and internationally for their evening-length dance-theater pieces, Gash and Voigt have touched people's lives for sixteen years with a process-oriented approach to exploring their favored themes: spirituality, womanhood and native communities.
Their administrative staff has been let go, but as sad as that might sound, there is brightness yet. Gash says she and Voigt will not be disbanding their partnership altogether. They will now operate as a touring group choreographing on a "commission-only" basis.
Gash insists that after so many years, "The time is right." Citing both Voigt's escalating physical problems and the relentless grind of applying for grants, Gash says this decision will free both women for other work -- in particular, mentoring young talents coming out of Webster University and Washington University's dance programs.
For this weekend's performances, the company is flying in two of its former dancers, Nancy Ellis and Lynn Kissel, to join local dancer Gui Par and company members Mary Ann Rund and Dawn Karlovsky. The production will consist mainly of excerpts from such pieces as Changing Woman (2002), Sacred Ground (2001) and Unheard Voices (1994). Rund will perform solo while wearing a veil in Mystics, and Voigt will present her signature work, Fabrication.
To make the production a true Gash/Voigt "theater" experience, Professor Jim Hegarty of sponsoring venue St. Louis Community College-Forest Park will provide live music, and local poet Michael Castro will read his and others' works. This will also serve as a bittersweet reminder of GVDT's successful Art, Music, Poetry and Dance Collective events.








