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Cock and Awe
St. Louis pickup artists rule the roost.
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Hot Contender: If looks count, Sarah Steelman may be your next governor
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John Ray used to own a tavern in Benton Park. Now he lives in Quincy and dabbles in conspiracy theory.
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The strange and violent world of St. Louis' bail bondsmen
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All In A Name
Did the Post-Dispatch deliberately give its new blog the same title as the competition?
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Continued from page 2
Published: March 17, 2004He took the shirts and left. "Of course, we reported it later," he says. "Anytime we would get challenges like that, we'd bring it to the attention of the leadership of the organizations so it wouldn't happen again."
By then Mike was working as a lawyer on anti-discrimination cases with Margaret Bush Wilson, one of the first female African-American attorneys in Missouri and, at the time, the chairwoman of the National Association for the Advancement of Colored People.
Mike graduated from Northwest High School, St. Louis' first desegregated high school, in 1967, then went to Forest Park Community College where he met Virvus Jones. There the two young activists mourned the death of Martin Luther King Jr., marched against the Vietnam War, formed the Black Student Association and fought to bring black-studies programs to colleges. Later, they worked together in HOME (Help Other Men Emerge), a civil-rights organization that preached economic empowerment for black men.
After completing his undergraduate degree at Lindenwood University in St. Charles, Mike graduated from law school at Saint Louis University in 1974 with the help of a grant from the Danforth Foundation and money he earned selling dashikis. Steve attended Clark College in Massachusetts and law school at Washington University as a Danforth scholar.
Fresh out of law school, the brothers launched a consulting firm that over the years has spearheaded increased minority participation in multimillion-dollar capital construction projects for Anheuser-Busch, Dulles and National airports in Washington, D.C., and Lambert St. Louis International Airport.
In 1974 Mike talked his dad into getting a $7,000 loan from the post office credit union to buy a house. He lived in it while he fixed it up, then resold it for a profit and started buying more properties.
He also flung himself into politics. In 1977, at the age of 26, Mike became the youngest person ever elected to the city's board of aldermen -- that is, until Steve was elected two years later at age 25.
As part of the Black Aldermanic Caucus in the early 1980s, Steve and Mike Roberts, Wayman Smith, Mike Jones and Virvus Jones wrote legislation that required contractors on city-funded projects to hire minority- and women-owned businesses. "Some of the large contractors certainly felt that was radical, that it was un-American, socialist," Steve remembers.
The Robertses also met the city's most powerful developers and learned how to use incentives such as tax-increment financing and tax abatements to lure investors. Steve sponsored redevelopment legislation for Union Station, St. Louis Center and Laclede's Landing.
"Had I not been on the board of aldermen, I would have never met these folks," Steve explains. "I didn't run in their social cadre. I didn't attend their country clubs."
It dismayed some members of the black community, however, when Steve in 1994 joined the board of the Veiled Prophet Fair at the urging of the late businessman Bill Maritz. Though the organization was integrated in 1979 and has since changed its name to Fair St. Louis, many blacks remember it for what it was: an all-white, all-male society of the super-rich. "Being inside an organization, you can influence change," Steve says of his decision to join.
Mike and Steve concede they've been criticized for "not being black enough." But the notion that light-skinned blacks faced less racism and received greater opportunities is "slave mentality," says Mike.
In January 1989, after a decade as an alderman, Mike Roberts decided to challenge incumbent Mayor Vincent Schoemehl Jr. for the party's Democratic nomination. He narrowly lost the race, in part because former U.S. Representative William Lacy Clay Sr., the era's most powerful African-American politician, supported Schoemehl, who is white. The mayor had agreed to appoint Virvus Jones to the comptroller's job in exchange for Clay's nod.
In 1993, when Steve made his mayoral bid, Clay shunned him as well and threw his support to Freeman Bosley Jr. Steve lost in a landslide to Bosley, who became St. Louis' first black mayor.
"Generally, we didn't get Clay's support because we came up through different channels," Mike explains. "There were certain African-American political heads that had control over wards -- Jet Banks and Jordan W. Chambers, which I belonged to. Steve was involved with Leroy Tyus, a very strong political powerhouse. Of course, Clay was one too.
"A lot of these guys, they only wanted someone developed out of their own political backyard," Mike goes on. "That's a narrow-minded approach to creating a level of political empowerment for African Americans."
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On the first floor of the Victor Roberts Building, an armed security guard stands at a kiosk. A sign above directs patrons to a beauty-supply store, a cell phone outlet, a check-cashing business, a dentist's office and the U.S. Department of Agriculture's Women, Infants and Children program on the second floor.
At a Nation of Islam store, Louis Farrakhan is on television preaching about the "policies of the dragon" in Iraq. Theodore Muhammad says customers stop in to buy newspapers, books and tapes. The smell of fried catfish and hamburgers wafts down the hall from a newly opened grill.
Sue Zambrzuski sits behind a glass display case filled with gold chains and diamond rings at K's Jewelry. She says many of her customers live in the surrounding neighborhoods and walk to this urban mall because they don't have cars. She figures 100 percent of the shoppers are African Americans.
The white people -- architects, politicians, contractors and construction workers -- who visit immediately head for the Robertses' corporate offices on the third floor, a vastly different world from the mall below.
On a recent morning, Mike Roberts opens the glazed glass double doors and strolls into his cavernous office. An intricately carved oak pool table stands in the middle of the room, surrounded by walls draped with original Native American art and exquisite wood carvings of African warriors and women with their babies.
"We're doing pretty good down here in the 'hood," he quips.









