Recent Articles

Recent Articles By Chad Garrison

  • Phantom Punch
    Milton "Skip" Ohlsen had big plans for mixed martial arts in St. Louis. Now it seems he’s down for the count.
  • Smelterville
    Crystal City forges one hell of a deal.
  • Helter-Smelter
    Lawsuits fly as Crystal City residents try to stop construction of a pig iron production plant.
  • Field of Screams
    UMSL baseball coach Jim Brady's fevered battle with university officials has gone to extra innings.
  • Prince Joe's Victory

National Features

  • Phoenix New Times
    Canine Crusaders

    That drug-sniffing dog up ahead? He may not be your best friend.

    By Ray Stern
  • Broward-Palm Beach New Times
    The Muscle Men

    Thanks to a string of Florida "anti-aging clinics," baseball's steroid scandal isn't limited to superstars.

    By Michael J. Mooney
  • Miami New Times
    Picked On

    Farm workers earn nada in America's green-bean capital.

    By Janine Zeitlin
  • Village Voice
    "Why I'm No Longer a Brain-Dead Liberal"

    An election-season essay from one of America's greatest playwrights.

    By David Mamet

Bob Schneider has been touted "the next big thing" to come out of Austin since at least the late '90s. Years later, Schneider has found national acclaim to be as elusive as cultivating a consistent sound. A talented musician and a clever lyricist, the biggest impediment to Schneider's would-be fame may lie in his disparate musical interests, which can range from pop to country to funk and punk.

Of course, that's part of the fun of seeing Schneider live: You never know what to expect.

When not playing solo, Schneider is the frontman for the Austin-based Scabs -- a funk/punk group popular among frat boys and hippies alike -- but he can slip just as easily into alt-country-crooner guise when he occasionally sits in with the Resentments, an all-star ensemble of musicians who gather Sunday evenings in a south Austin honky-tonk.

It's such eclectic influences that allow Schneider to switch from raucous pop ditties with X-rated scat lyrics to beautiful acoustic tunes of loneliness and despair. It's also the reason why, until Schneider decides to focus on a specific musical style, he'll remain the best one-man act you've never heard of.

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