Most Popular
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Red Alert: Everything they really don't want you to know about those pesky traffic-light cameras
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Ludo is fired up and ready to play on the national stage
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Seeing Red: Partners battle over a Wash. Ave. eatery's ownership
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Curious Gorge: Ian tests the animal magnetism of Three Monkeys
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Feel a Draught?: Tigín opens an outpost in a Hampton Inn downtown? O'Really!
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Seeing Red: Partners battle over a Wash. Ave. eatery's ownership (10)
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Red Alert: Everything they really don't want you to know about those pesky traffic-light cameras (10)
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7-Up vs. Coke Part 2 (6)
Heir to a fortune, Andrew Gladney went from John Burroughs to Yale and came home to found the dot-com darling Savvis Inc. Then he squandered it all. The spectacular flameout of a St. Louis soft-drink scion.
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Will Ian flip for the Original Pancake House? (4)
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Is a Wash. U. dean destroying alumni records and making unjust department cuts? (3)
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True Story: Columbia's True/False Film Fest hits the half-decade mark
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True or false, The Bank Job is too much fun to fact-check
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Teen comedy Charlie Bartlett could use a dose of mean
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Michael Haneke and his brutal home invaders return to implicate you in Funny Games
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After the unspeakable Grinch, Horton is a surprisingly strong Seuss adaptation
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Why Doesn't Anybody Like Kyle Lohse?
06:16PM 03/13/08 -
The RAC MP3 Collection: A Sonic Companion to this Week's Cover Story
09:59AM 03/13/08 -
Dooley's Ltd.
06:53PM 03/13/08 -
This Is Hawkwind -- Do Not Panic
06:08PM 11/09/07
What we are writing about
- Acuvue
- A Delicate Balance
- Bad Dates
- Best of St. Louis
- Bob Dylan
- Broadway Bound
- Bud Starr
- Cole Porter
- Dogtown
- Dracula
- Edward R. Murrow
- Greetings!
- Halloween
- Jockey
- Joe Edwards
- Kiss Me, Kate
- New Jewish Theatre
- Playhouse Creatures
- Repertory Theatre of...
- Richmond Heights...
- Sage
- Saint Louis University
- Sister’s Christmas...
- South Broadway...
- Star Clipper
- Starrs
- suicide
- William Shakespeare
- wine
- wrestling
National Features
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Phoenix New Times
Canine Crusaders
That drug-sniffing dog up ahead? He may not be your best friend.
By Ray Stern -
Broward-Palm Beach New Times
The Muscle Men
Thanks to a string of Florida "anti-aging clinics," baseball's steroid scandal isn't limited to superstars.
By Michael J. Mooney -
Miami New Times
Picked On
Farm workers earn nada in America's green-bean capital.
By Janine Zeitlin -
Village Voice
"Why I'm No Longer a Brain-Dead Liberal"
An election-season essay from one of America's greatest playwrights.
By David Mamet
Series/Festivals
Week of May 4, 2005
Published: May 4, 2005
Punk-A-Muck. (Not Rated) Webster University's program of three feature-length documentaries and one 40-minute work on punk and proto-punk music includes two documentaries available for preview. In 1991: The Year Punk Broke, director Dave Markey assumes the audience knows and loves Sonic Youth as he follows the band (and Nirvana) on its 1991 European tour. Shot on Super8 and 16 mm, the film looks shabby and sloppy, which would be forgivable if some insight had accompanied the badly edited candid footage and performances. Unfortunately, it doesn't, with 1991 geared only toward those wanting to revisit the scene. By contrast, Instrument offers an analytical and entertaining documentary -- also shot on Super8 and 16 mm film, but looking and sounding worlds better than 1991. In collaboration with the band, director Jem Cohen captures the commitment and evolution of Fugazi over a decade, from its first show in September 1987. Stubbornly independent, Fugazi (a Vietnamese word meaning "all messed up") started its own label; kept ticket prices low; and played at anti-apartheid rallies, benefits for AIDS clinics and the homeless, and against Operation Desert Storm. In interviews woven between songs, Ian MacKaye is direct, even eloquent, about the motivation to keep undercutting expectations and to refuse to succumb to vacuous ritual. As MacKaye says, "We don't move people if we slip on an attitude like we slip on our clothes." It has to be genuine, and Fugazi is the real deal. 1991: The Year Punk Broke screens at 8 p.m. Saturday, May 7; Instrument screens at 8 p.m. Sunday, May 8, in the Moore Auditorium on the campus of Webster University, 470 East Lockwood Avenue, Webster Groves. Call 314-968-7487 for more information. (Diane Carson) WFS







