Recent Articles

Recent Articles By Dave Segal

National Features

  • Phoenix New Times
    Canine Crusaders

    That drug-sniffing dog up ahead? He may not be your best friend.

    By Ray Stern
  • Broward-Palm Beach New Times
    The Muscle Men

    Thanks to a string of Florida "anti-aging clinics," baseball's steroid scandal isn't limited to superstars.

    By Michael J. Mooney
  • Miami New Times
    Picked On

    Farm workers earn nada in America's green-bean capital.

    By Janine Zeitlin
  • Village Voice
    "Why I'm No Longer a Brain-Dead Liberal"

    An election-season essay from one of America's greatest playwrights.

    By David Mamet

Blessed with exquisite musical taste and an enviably large record collection, Four Tet (a.k.a. British producer Kieran Hebden) has maximized those assets over four increasingly accomplished albums since 1999's Dialogue -- while incidentally becoming the foremost proponent of "folktronica." Four Tet's mastery of the laptop and sampler culminates on Everything Ecstatic, a strange-yet-beguiling amalgam of Can drummer Jaki Leibezeit's mantric tribal power, inventive funk beats that Madlib would give up weed to find and beautifully warped Southeast Asian gong-and-bell reveries. Ecstatic maintains a perfect yin-yang balance between sexily mirthful grooves and heady textural exploration. It's a tribute to Hebden's compositional skills that he can create an album so adventurous (and organic-sounding), yet also utterly joyful. This could soundtrack the highest-browed, most off-the-hook party of your wildest imagination.

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