National Features

  • Village Voice
    A Long Way Wrong?

    Another celebrated memoir threatens to blow into a million little pieces.

    By Graham Rayman
  • LA Weekly
    Hoop Dawg

    Billionaire Donald T. Sterling owns the L.A. Clippers and loves the ladies. And those are just two of his problems.

    By Patrick Range McDonald
  • Broward-Palm Beach New Times
    The Player Priests

    They were holy men--and they sure knew how to party.

    By Amy Guthrie
  • Westword
    The Good Soldier

    When the Army tried to take down Andrew Pogany, they messed with the wrong coward.

    By Joel Warner

To think that the music industry had a potential super-genre to milk and didn't jump all over it. The suits who oversaturated our ears with boy bands, rap-rock and grunge had an opportunity with revitalized country singers after Johnny Cash's successful American series, but it's probably better that they didn't seize it; after all, Kenny Rogers never burdened us with a Public Enemy duet album. Bobby Bare's return after more than two decades of recorded silence won't be overhyped that way, which is good, because The Moon Was Blue isn't so much a Year's Best Album as it is a pleasant surprise. The album isn't just produced by Bobby Bare Jr. — Bare's son spreads '70s soul and country on every song with such care that the album comes off more like a tribute to the country great. Anyone expecting raw emotions equivalent to Cash's final recordings will be disappointed, as Bare Jr.'s arrangements give an odd, springtime step to melancholy covers like "Ballad of Lucy Johnson" and "Lovers in the Sand." But there's an exception: Opener "Are You Sincere" is the most gorgeous country song of the year, with Bare's worn voice belting a lover's plea over strings and cooing harmony vocals. It's the best father-son picnic you're likely to attend. — Sam Machkovech

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