Blogs
  • Go! 3/7-3/9
    06:00PM 03/07/08
  • R.E.M. Accelerate: An Advance Review and Song-by-Song Analysis of the Band's New Album
    04:06AM 03/08/08
  • Your Weekly St. Louis Food Blog Digest
    03:45PM 03/07/08
  • This Is Hawkwind -- Do Not Panic
    06:08PM 11/09/07
Recent Articles

Recent Articles By Roy Kasten

  • The Campbell Brothers
    8 p.m. Friday, February 15 and 11 a.m. Saturday, February 16. Edison Theatre, 6445 Forsyth Boulevard
  • Nina Nastasia
    8:30 p.m. Saturday, February 9. The Bluebird, 2706 Olive Street.
  • Richard Thompson
    8 p.m. Monday, February 11. The Pageant, 6161 Delmar Boulevard
  • Parachute Musical
    9 p.m. Friday, February 1. The Bluebird, 2706 Olive Street.
  • Giant Bear
    9 p.m. Wednesday, February 6. Off Broadway, 3509 Lemp Avenue.

National Features

  • Houston Press
    "It Was Like an Armageddon Movie"

    For days after Hurricane Rita, a Texas prison was hell on earth.

    By Chris Vogel
  • SF Weekly
    The Candidate

    Our columnist knows Ralph Nader's running mate all too well.

    By Matt Smith
  • The Pitch
    How Not To Be a Rap Star

    First of all, lay off the Ecstasy.

    By Nadia Pflaum
  • Village Voice
    Project Runaway

    What becomes a gossip columnist most?

    By Michael Musto

Emmylou Harris has made a career of saving the asses of lesser singers, but in Mark Knopfler she faces a Herculean task. He's not a miserable vocalist; he's merely inconsequential, which isn't really a problem when you're one of the shrewdest guitar players to ever wear a headband. The two recorded their first duet album in stolen moments over seven years, with Harris writing two tunes and Knopfler the rest. From the eerie Katrina premonition of "Beachcombing" to the Celtic rounder anthem of the title track, Knopfler has been raiding the Anglo-American folk songbook for melodic and narrative form. The results are more personal than PBS, even when he's digging in a mine for diamonds (it's a metaphor) or just singing of wedded bliss on "This Is Us," a tune so catchy and trite it could be a Kodak jingle, if it weren't for the dense warp and woof of the guitars. Building on the acoustic base and shadowy reverb of the Lanois mood-roots model, they're aiming for an expert, adult sound. But what's wrong with a record both you and your parents will love?

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