Most Popular
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7-Up vs. Coke Part 2
Heir to a fortune, Andrew Gladney went from John Burroughs to Yale and came home to found the dot-com darling Savvis Inc. Then he squandered it all. The spectacular flameout of a St. Louis soft-drink scion.
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Red Alert: Everything they really don't want you to know about those pesky traffic-light cameras
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Ludo is fired up and ready to play on the national stage
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Curious Gorge: Ian tests the animal magnetism of Three Monkeys
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Seeing Red: Partners battle over a Wash. Ave. eatery's ownership
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Red Alert: Everything they really don't want you to know about those pesky traffic-light cameras (10)
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Seeing Red: Partners battle over a Wash. Ave. eatery's ownership (9)
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7-Up vs. Coke Part 2 (6)
Heir to a fortune, Andrew Gladney went from John Burroughs to Yale and came home to found the dot-com darling Savvis Inc. Then he squandered it all. The spectacular flameout of a St. Louis soft-drink scion.
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Will Ian flip for the Original Pancake House? (4)
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Is a Wash. U. dean destroying alumni records and making unjust department cuts? (3)
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Boeing vs. Airbus: The Winning Bird Might Be Too Big
04:12PM 03/12/08 -
Does It Offend You, Yeah? at the Fader Fort
07:07PM 03/12/08 -
Is Red Kaput?
05:55PM 03/12/08 -
This Is Hawkwind -- Do Not Panic
06:08PM 11/09/07
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Recent Articles By Ellis E. Conklin
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Buy Me Some Peanuts and Geritol
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Loop Chained
The arrival of Noodles & Company and Chipotle has some Delmar business owners wondering where it will end.
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A Mathews-Dickey coach does all he can to take black kids out to the ballgame.
African-American ballplayers are getting rarer than a triple play.
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The Bough Breaks
When fourteen trees fall in St. Peters, who picks up the tab?
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Read All About It
Another independent bookseller gives up the ghost
National Features
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Houston Press
"It Was Like an Armageddon Movie"
For days after Hurricane Rita, a Texas prison was hell on earth.
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SF Weekly
The Candidate
Our columnist knows Ralph Nader's running mate all too well.
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The Pitch
How Not To Be a Rap Star
First of all, lay off the Ecstasy.
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Village Voice
Project Runaway
What becomes a gossip columnist most?
By Michael Musto
The Director's Take
Davis Guggenheim captures the ideals of the "former next president"
By Ellis E. Conklin
Published: June 7, 2006Davis Guggenheim still marvels over the day that Laurie David and Lawrence Bender, the co-producers of An Inconvenient Truth, asked whether he could make a movie based on Al Gore's now-famous slide shows about global warming.
"I told them it was a terrible idea," the St. Louis-born Guggenheim says in a telephone interview from his Venice Beach, California, production studio. "I must have spent two hours trying to talk them out of this. You can't make a movie out of a slide show. Plus, I thought Gore was a bad choice to deliver the message, being a politician with lots of baggage. And I'm not even an environmentalist. All this stuff about global warming was never on my mind."
Guggenheim decided to attend some of the 1,000-plus multimedia tutorials Gore has presented since George W. Bush took office. "I was just blown away about how convincing his argument was," says the 42-year-old director. "It all comes from his core values."
Beginning in the summer of 2005, Guggenheim spent six months on the $1 million documentary, traveling throughout the nation to find the most suitable backdrops to chronicle the specter of drought, famine and catastrophic storms. And drowning polar bears? "Well, no, that was simulated."
Above all, stresses Guggenheim, "I wanted to take all the politics out of it. I didn't want to make another Fahrenheit 9/11. And from the very beginning, too, there was an unspoken agreement between us that this was to be shared ownership. My domain was to capture the personal side of Gore, and he was to make sure the science was handled correctly."
Asked what it was like to have spent so much time with the former vice president, Guggenheim says, "He's really funny and incredibly likeable. He's very soulful, and after only a few days with him, you can't help but be infected by his mission. He really is obsessed on this issue."
Critics, mainly from the right, have suggested An Inconvenient Truth is nothing more than a political vehicle calibrated to position Gore for another run at the White House all of which makes Guggenheim bristle.
"All that speculation is completely missing the point," he says. "The singular message about this movie is to get people to realize the threats we face from global warming. As Gore says at the beginning of the film, ‘I've been trying to tell this story for a long time, and I feel as if I've failed to get the message across."'
Guggenheim dismisses some reviews that have called the documentary a "horror" film. "But there are some parts that are terrifying," he concedes, "like the sequences showing major cities in New York and Florida being covered by the ocean."
Guggenheim, whose directing credits include episodes of The Shield, Alias and 24, as well as producing and directing episodes of Deadwood, says he's overwhelmed by the reception the documentary has received.
"It's been getting standing ovations," he enthuses. "For me, it's all been a labor of love. I'm not taking any money from it."







