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Recent Articles By Andrew Friedman

National Features

  • Houston Press
    "It Was Like an Armageddon Movie"

    For days after Hurricane Rita, a Texas prison was hell on earth.

    By Chris Vogel
  • SF Weekly
    The Candidate

    Our columnist knows Ralph Nader's running mate all too well.

    By Matt Smith
  • The Pitch
    How Not To Be a Rap Star

    First of all, lay off the Ecstasy.

    By Nadia Pflaum
  • Village Voice
    Project Runaway

    What becomes a gossip columnist most?

    By Michael Musto

Mr. Lif's 2002 album, I Phantom, impressively cultivated an urgent, paranoid feel, but its slow plot and heavy-handed messages made it difficult to handle. Fortunately, the fantastic Mo' Mega plays like a tightened-up Phantom, maintaining that disc's dystopic aesthetic but swapping the narratives for ambiguous poetry about (among other things) his career ("Collapse") and his unborn ("For You"). El-P provides Lif with lo-fi soundscapes pushed by dusty, mechanical breaks and treble-free guitar samples. Mega lightens up for a few tracks (the faux-Jamaican "Washitup!"), but Lif shines most when he narrates the insanity around him.

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