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National Features

  • Houston Press
    "It Was Like an Armageddon Movie"

    For days after Hurricane Rita, a Texas prison was hell on earth.

    By Chris Vogel
  • SF Weekly
    The Candidate

    Our columnist knows Ralph Nader's running mate all too well.

    By Matt Smith
  • The Pitch
    How Not To Be a Rap Star

    First of all, lay off the Ecstasy.

    By Nadia Pflaum
  • Village Voice
    Project Runaway

    What becomes a gossip columnist most?

    By Michael Musto

It's only fitting that Pharrell Williams has finally jettisoned collaboration for a solo career. The hallmark of his six-year chart reign as half of the superproducer team the Neptunes has always been reduction, stripping down urban music to its essence. That genius remains on In My Mind — most definitively on the single "Can I Have It Like That." A generically hot-blooded rhyme and a pointless Gwen Stefani cameo are redeemed by a single musical element: an acoustic bass line that writhes as ominously as a rattlesnake. Unfortunately, Pharrell's skillful, skeletal soul and hip-hop now give you too clear a view of the man behind the music. His intention to supplant Justin Timberlake as the 21st-century Michael Jackson is obvious, and during inspired moments — such as "Number One," the perhaps-inevitable duet with Kanye West, or the ethereal R&B; of "Our Father" — Pharrell can be convincing. Over an entire album, however, neither his wispy falsetto nor his West-like, backpack-meets-bling verses carry enough charge to make In My Mind the Thriller it aspires to be.

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