Blogs
  • Go! 3/7-3/9
    06:00PM 03/07/08
  • R.E.M. Accelerate: An Advance Review and Song-by-Song Analysis of the Band's New Album
    04:06AM 03/08/08
  • Your Weekly St. Louis Food Blog Digest
    03:45PM 03/07/08
  • This Is Hawkwind -- Do Not Panic
    06:08PM 11/09/07
Recent Articles

Recent Articles By Kami Arnold

  • The Locust
    7 p.m. Sunday, November 25. Creepy Crawl, 3524 Washington Boulevard
  • Today is the Day
    7 p.m. Wednesday, September 19. Creepy Crawl, 3524 Washington Boulevard.
  • The Prids
    8 p.m. Saturday, July 14. Creepy Crawl, 3524 Washington Boulevard.
  • The Trucks
    The Trucks (Clickpop/spinART)
  • Young Jeezy
    7:30 p.m. Sunday, April 14. Scottrade Center (South 14th Street and Clark Avenue).

National Features

  • Houston Press
    "It Was Like an Armageddon Movie"

    For days after Hurricane Rita, a Texas prison was hell on earth.

    By Chris Vogel
  • SF Weekly
    The Candidate

    Our columnist knows Ralph Nader's running mate all too well.

    By Matt Smith
  • The Pitch
    How Not To Be a Rap Star

    First of all, lay off the Ecstasy.

    By Nadia Pflaum
  • Village Voice
    Project Runaway

    What becomes a gossip columnist most?

    By Michael Musto

In 2000, when Peaches released her debut, The Teaches of Peaches, electroclash was all the rage. Six years later, the dance floor is empty — but with her latest release, Impeach My Bush, Peaches tries to get the dirty dancers back on the floor. Unfortunately, she continues to rely upon new twists on the same shock-and-awe lyrics that gained her attention from the start. "Downtown" proclaims the joys of oral sex, "Two Guys" praises multiple partners, and the refrain of the title track ("I'd rather fuck who I want/Than kill who I am told to") uses the same tired post-slut, sex-positive ethics that can be found on every one of her releases to date. Still, while there's not much new lyrically — the most original track, "Stick It to the Pimp," is her reaction to the recent celebration of pimp culture — Peaches doesn't fail to impress with her minimal beats and refreshing interpretation of Eurodisco stylings. Little here is surprising — but can you blame the woman for keeping at what she does best?

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