Blogs
  • Go! 3/7-3/9
    06:00PM 03/07/08
  • R.E.M. Accelerate: An Advance Review and Song-by-Song Analysis of the Band's New Album
    04:06AM 03/08/08
  • Your Weekly St. Louis Food Blog Digest
    03:45PM 03/07/08
  • This Is Hawkwind -- Do Not Panic
    06:08PM 11/09/07
Recent Articles

Recent Articles By Jonah Bayer

  • Armor for Sleep
    7 p.m. Saturday, January 26. Pop's, 1403 Mississippi Avenue, Sauget, Illinois.
  • Commit This to Memory
    The Minneapolis-based pop-punk act Motion City Soundtrack proves that its success is no novelty.
  • Punk's Not Dead
    Against Me! Plays anarchist punk rock for the masses.
  • We Versus the Shark
    9 p.m. Thursday, October 11. The Bluebird, 2706 Olive Street.
  • Portugal. The Man.
    8:30 p.m. Monday, October 15. Off Broadway, 3509 Lemp Avenue.

National Features

  • Houston Press
    "It Was Like an Armageddon Movie"

    For days after Hurricane Rita, a Texas prison was hell on earth.

    By Chris Vogel
  • SF Weekly
    The Candidate

    Our columnist knows Ralph Nader's running mate all too well.

    By Matt Smith
  • The Pitch
    How Not To Be a Rap Star

    First of all, lay off the Ecstasy.

    By Nadia Pflaum
  • Village Voice
    Project Runaway

    What becomes a gossip columnist most?

    By Michael Musto

With 2003's A Dead Sinking Story, Japan's Envy hinted toward a sound that was more orchestral than screamo. But not even the band's biggest fans could have imagined how fully realized this transformation would become with the quintet's follow-up, Insomniac Doze. From the first notes of album opener "Further Ahead of Warp" to the cathartic chaos of the closer, "A Warm Room," Doze is cinematic in scope and vision without compromising the band's characteristic aggression. The shimmering introduction to "Scene" may sound like Envy's labelmates Explosions in the Sky, but just when listeners are lulled into a false sense of security, distorted guitars kick in and vocalist Tetsuya Fukagawa's hushed vocals morph into a guttural scream reminiscent of metallic monoliths Isis. Envy's ability to alternate seamlessly between these two dynamics — without it sounding forced — is what separates the band from the rest of its instrumental peers. And although Doze is sung entirely in Japanese, it still manages to speak (and scream) volumes.

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