Blogs
  • Go! 3/7-3/9
    06:00PM 03/07/08
  • R.E.M. Accelerate: An Advance Review and Song-by-Song Analysis of the Band's New Album
    04:06AM 03/08/08
  • Your Weekly St. Louis Food Blog Digest
    03:45PM 03/07/08
  • This Is Hawkwind -- Do Not Panic
    06:08PM 11/09/07
Recent Articles

Recent Articles By Annie Zaleski

  • Sleep State
    8 p.m. Saturday, February 9. Lemp Neighborhood Arts Center, 3301 Lemp Avenue.
  • Soft
    9 p.m. Tuesday, February 12. The Bluebird, 2706 Olive Street.
  • Lloyd Dobler Effect
    9 p.m. Monday, January 14. Bluebird, 2706 Olive Street.
  • Career (Remix)
    The trials and tribulations of R. Kelly.
  • The Aviation Club
    9 p.m. Friday, January 4. Off Broadway, 3509 Lemp Avenue.

National Features

  • Houston Press
    "It Was Like an Armageddon Movie"

    For days after Hurricane Rita, a Texas prison was hell on earth.

    By Chris Vogel
  • SF Weekly
    The Candidate

    Our columnist knows Ralph Nader's running mate all too well.

    By Matt Smith
  • The Pitch
    How Not To Be a Rap Star

    First of all, lay off the Ecstasy.

    By Nadia Pflaum
  • Village Voice
    Project Runaway

    What becomes a gossip columnist most?

    By Michael Musto

Compile the best of R.E.M.'s earliest output on one CD, and it's easy to see why the then-quartet ultimately became one of the biggest bands in the world: optimism. That's the overwhelming feeling pervading Fine, a smartly sequenced collection spanning the Athens, Georgia, band's pre-major-label years. R.E.M. had nothing to lose (and everything to gain) as they evolved from freewheeling garage-rock poets to influential pop storytellers, and they were unapologetic about their lack of cynicism and unshakable confidence — a fact Fine underscores with the inclusion of tunes that are strident (a rabble-rousing "Begin the Begin"), winsome (the sepia-toned "Perfect Circle") and gloriously weird (the disco-funkin' "Can't Get There from Here"). But R.E.M.'s un-self-conscious innocence is most obvious in the way they infuse even the most melancholy songs with shimmers of hope. Pretty pop gems ("Fall on Me," "Talk About the Passion") dip and soar with jangly riffs — as joyful as they are nostalgic — while even the murky "Feeling Gravity's Pull" finds redemption in vocalist Michael Stipe's soothing falsetto.

Fine's limited-edition bonus disc of rarities and band members' favorite tracks is an absolute treat even for R.E.M. completists and bootleg-collectors. Especially choice are the delicate slow-dance alternate version of "Gardening at Night," a gorgeous, haunting demo of "Hyena," and mid-1980s live cuts (a rip-snorting "Life and How to Live It" smokes).

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