Blogs
  • Go! 3/7-3/9
    06:00PM 03/07/08
  • R.E.M. Accelerate: An Advance Review and Song-by-Song Analysis of the Band's New Album
    04:06AM 03/08/08
  • Your Weekly St. Louis Food Blog Digest
    03:45PM 03/07/08
  • This Is Hawkwind -- Do Not Panic
    06:08PM 11/09/07

National Features

  • Houston Press
    "It Was Like an Armageddon Movie"

    For days after Hurricane Rita, a Texas prison was hell on earth.

    By Chris Vogel
  • SF Weekly
    The Candidate

    Our columnist knows Ralph Nader's running mate all too well.

    By Matt Smith
  • The Pitch
    How Not To Be a Rap Star

    First of all, lay off the Ecstasy.

    By Nadia Pflaum
  • Village Voice
    Project Runaway

    What becomes a gossip columnist most?

    By Michael Musto

Back in the early '70s, Eric Clapton — then struggling out of drug addiction — turned "Cocaine" and "After Midnight," both J.J. Cale songs, into radio staples that saved his floundering career. Now, some three decades later, Clapton and Cale have joined forces on an album of laid-back shuffles and slow blues, mixed with the occasional mainstream blues-rock castoffs that Clapton Michelob'd us with in the '80s. Make no mistake, though: This is Cale's album. His signature, low-key playing carries the session — although Clapton responds appropriately and gives Cale just the right amount of deference (while still managing to make his own presence felt). The two even share vocal harmonies here and there, something which works surprisingly well. Overall, their interaction is excellent and moves with an unhurried, mellow, California (Cale lives in Escondido) blues vibe that just plain feels good. This long-overdue collaboration may finally expose the uninitiated to Cale's unheralded musical contributions — and help him sell some of his back catalogue.

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