Blogs
  • Legendarily Ornery STL Bartender Mark Pollman ICU Update
    05:11PM 03/10/08
  • Van Halen's March 30 St. Louis Concert Postponed
    05:19PM 03/10/08
  • Iron Chef America -- The Game!
    04:52PM 03/10/08
  • This Is Hawkwind -- Do Not Panic
    06:08PM 11/09/07

National Features

  • Houston Press
    "It Was Like an Armageddon Movie"

    For days after Hurricane Rita, a Texas prison was hell on earth.

    By Chris Vogel
  • SF Weekly
    The Candidate

    Our columnist knows Ralph Nader's running mate all too well.

    By Matt Smith
  • The Pitch
    How Not To Be a Rap Star

    First of all, lay off the Ecstasy.

    By Nadia Pflaum
  • Village Voice
    Project Runaway

    What becomes a gossip columnist most?

    By Michael Musto

Bloc Party has officially moved beyond the indie-dance-punk found on Silent Alarm to brilliant discussions of urban-kid confusion on A Weekend in the City. Kele Okereke bravely discusses a schoolboy crush in "I Still Remember," tackles weekend drudgery with "On" and addresses racially motivated violence in the heartbreaking "Where Is Home?" Dance beats still litter the album, but searing rock guitar lines balance Okereke's distinctive, plaintive vocals, and backing harmonies and chanting play up occasional religious imagery ("Uniform"). Weekend's first single, "The Prayer," and "Song for Clay (Disappear Here)" still exhibit most of the Brit-pop pretension evident on Silent Alarm, but Bloc Party largely parlays some of its attitude into mindfulness, composure and an album that — despite its seemingly depressive topics — holds within it inklings of hope.

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