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Recent Articles By J. Poet

National Features

  • Houston Press
    "It Was Like an Armageddon Movie"

    For days after Hurricane Rita, a Texas prison was hell on earth.

    By Chris Vogel
  • SF Weekly
    The Candidate

    Our columnist knows Ralph Nader's running mate all too well.

    By Matt Smith
  • The Pitch
    How Not To Be a Rap Star

    First of all, lay off the Ecstasy.

    By Nadia Pflaum
  • Village Voice
    Project Runaway

    What becomes a gossip columnist most?

    By Michael Musto

Like the cowboy heroes of yesteryear, John Mellencamp still believes that hard-working, honest people can eventually triumph over the forces of evil. He paints a realistic portrait of modern America with hard-hitting, guitar-heavy tunes and lyrics bristling with righteous anger. "Ghost Towns Along the Highway" is a bleak picture of the cities destroyed by globalization; "Jim Crow," a duet with Joan Baez, is a tune about the subtle racism that still plagues us; and "Our Country" is a soaring anthem for everyone who still believes in the American dream. The climax comes in the track hidden at the end of the album. "Rodeo Clown" may be the angriest song yet written about Bush's Iraq adventure, with a lyric that indicts the "blood on the mouths of all lies and liars."

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