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National Features

  • Houston Press
    "It Was Like an Armageddon Movie"

    For days after Hurricane Rita, a Texas prison was hell on earth.

    By Chris Vogel
  • SF Weekly
    The Candidate

    Our columnist knows Ralph Nader's running mate all too well.

    By Matt Smith
  • The Pitch
    How Not To Be a Rap Star

    First of all, lay off the Ecstasy.

    By Nadia Pflaum
  • Village Voice
    Project Runaway

    What becomes a gossip columnist most?

    By Michael Musto

The young, urban starlet is a wondrous thing to behold, isn't she? Well, no, not usually — particularly because, in this day and age, we associate her with multiple nether-region piercings, embarrassingly out-of-it public appearances and the urge to dry-hump everything in sight. Given all of that, the coming-out party for twenty-year-old British vocalist Joss Stone on album number three is relatively sedate — but only intermittently satisfying. When she and producer Raphael Saadiq hit, they hit big, pushing tempos beyond hip-hop's usual BPM. Songs such as "Put Your Hands on Me" and "Girl They Won't Believe It" draw direct links to Motown, even as they maintain a contemporary sheen. At those moments, Introducing sounds like it's the bridge between neo-soul and modern R&B.; But over the course of these fourteen tracks, the sex eventually outlasts the melodies, leaving Stone's big, boisterous voice to broadcast her new self too much and too often.

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