Blogs
  • Go! 3/7-3/9
    06:00PM 03/07/08
  • R.E.M. Accelerate: An Advance Review and Song-by-Song Analysis of the Band's New Album
    04:06AM 03/08/08
  • Your Weekly St. Louis Food Blog Digest
    03:45PM 03/07/08
  • This Is Hawkwind -- Do Not Panic
    06:08PM 11/09/07
Recent Articles

Recent Articles By Roy Kasten

  • The Campbell Brothers
    8 p.m. Friday, February 15 and 11 a.m. Saturday, February 16. Edison Theatre, 6445 Forsyth Boulevard
  • Nina Nastasia
    8:30 p.m. Saturday, February 9. The Bluebird, 2706 Olive Street.
  • Richard Thompson
    8 p.m. Monday, February 11. The Pageant, 6161 Delmar Boulevard
  • Parachute Musical
    9 p.m. Friday, February 1. The Bluebird, 2706 Olive Street.
  • Giant Bear
    9 p.m. Wednesday, February 6. Off Broadway, 3509 Lemp Avenue.

National Features

  • Houston Press
    "It Was Like an Armageddon Movie"

    For days after Hurricane Rita, a Texas prison was hell on earth.

    By Chris Vogel
  • SF Weekly
    The Candidate

    Our columnist knows Ralph Nader's running mate all too well.

    By Matt Smith
  • The Pitch
    How Not To Be a Rap Star

    First of all, lay off the Ecstasy.

    By Nadia Pflaum
  • Village Voice
    Project Runaway

    What becomes a gossip columnist most?

    By Michael Musto

Keyboards blur and bubble, guitars loop like a Möbius strip, chorale arrangements and found sounds (muted trumpet, birdsong and static) stack and stack, a bereft acoustic guitar or piano anchors the melodies, and Robin Bennett sings with a quizzical, not-quite-falsetto voice. The critical gossip? The Oxfordshire, England, quartet is crushed out on the Flaming Lips and Wilco. From a distance, perhaps — but close-up Goldrush plays Cupid with power pop and psychedelia, without being mortally wounded by the excesses of either. Its first single, "Every One of Us," has the density of Big Star's "Kizza Me" but the liberated, ever-forward rush of the Byrds' "Eight Miles High." Bennett's songs aim for the essential urgency of rock & roll, as summed up in the title track ("Our lives are too short, so what are we waiting for?") or in the soul-struck proclamation "We Will Not Be Machines" — which is sung like Bennett wants to convince himself as much as you. (Or maybe it's just an answer to Pink Floyd's alienated welcome or Jeff Tweedy's permanent emotional surrender.) Goldrush can't imagine such a retreat. In its collective imagination, rock & roll, like the heart, is still a wide-open space.

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