Blogs
  • Go! 3/7-3/9
    06:00PM 03/07/08
  • R.E.M. Accelerate: An Advance Review and Song-by-Song Analysis of the Band's New Album
    04:06AM 03/08/08
  • Your Weekly St. Louis Food Blog Digest
    03:45PM 03/07/08
  • This Is Hawkwind -- Do Not Panic
    06:08PM 11/09/07
Recent Articles

Recent Articles By Mark Keresman

National Features

  • Houston Press
    "It Was Like an Armageddon Movie"

    For days after Hurricane Rita, a Texas prison was hell on earth.

    By Chris Vogel
  • SF Weekly
    The Candidate

    Our columnist knows Ralph Nader's running mate all too well.

    By Matt Smith
  • The Pitch
    How Not To Be a Rap Star

    First of all, lay off the Ecstasy.

    By Nadia Pflaum
  • Village Voice
    Project Runaway

    What becomes a gossip columnist most?

    By Michael Musto

The daughter of Brazilian bossa-nova icon João Gilberto, singer Bebel Gilberto does a dandy job of maintaining the family legacy without coasting on Dad's rep. Like her legendary father, she has a velvety, vibrato-free vocal approach. Her bittersweet, smoky tones reflect innocence and worldliness in equal measure. Unlike the elder Gilberto, though, Bebel doesn't shy away from incorporating elements of electronic pop into her music. Bebel's new disc, Momento, sticks mainly with straight-up bossa nova. The arrangements are restrained and sultry, although the singer pushes the stylistic envelope on a couple of selections. The salsa-charged "Tranquilo" features an elegantly strutting horn section, and "Bring Back the Love" features guests Brazilian Girls and a sleek, Euro-dance slant. But coming back full circle, her take on the Cole Porter standard "Night and Day" pays affectionate tribute to the renowned early-'60s collaborations between her father and American jazz saxophonist Stan Getz. In a world seemingly gone goofy, Momento is a lovely respite from madness.

Riverfront Times Insiders

  • Local food, music and news blasts
  • Free Stuff

Personal of the Day


More Personals >>
NOW CLICK THIS