Recent Articles
Related Articles

Recent Articles By Roy Kasten

  • The Campbell Brothers
    8 p.m. Friday, February 15 and 11 a.m. Saturday, February 16. Edison Theatre, 6445 Forsyth Boulevard
  • Nina Nastasia
    8:30 p.m. Saturday, February 9. The Bluebird, 2706 Olive Street.
  • Richard Thompson
    8 p.m. Monday, February 11. The Pageant, 6161 Delmar Boulevard
  • Parachute Musical
    9 p.m. Friday, February 1. The Bluebird, 2706 Olive Street.
  • Giant Bear
    9 p.m. Wednesday, February 6. Off Broadway, 3509 Lemp Avenue.

Recent Articles By Paul Friswold

Recent Articles By Dean C. Minderman

  • B.B. King
    7:30 p.m. Wednesday February 13. Family Arena, 2002 Arena Parkway, St. Charles.
  • Chris Botti
    8 p.m. Friday January 18 and Saturday January 19. Touhill Performing Arts Center at the University of Missouri-St. Louis, One University Boulevard.
  • Smooth Operators
    Schoolhouse Rock's songwriter celebrates a few special birthdays in St. Louis while we pit Kenny G vs. Trans-Siberian Orchestra in a fight to the holiday death.
  • Preservation Blues

    Local niche labels keep the music coming.

  • Backstoppers Benefit
    7 p.m. Sunday November 4. The Pageant, 6161 Delmar Boulevard.

Recent Articles By Andrew Miller

  • Tesla
    7 p.m. Saturday, February 16. Pop's, 1403 Mississippi Avenue, Sauget, Illinois
  • Oh, Sleeper
    6 p.m., Monday, January 7. Creepy Crawl, 3524 Washington Boulevard.
  • Light This City
    6 p.m. Monday, November 26. Pop's, 1403 Mississippi Avenue, Sauget, Illinois.
  • The Action Design
    8:30 p.m. Wednesday, November 28. Cicero's, 6691 Delmar Boulevard, University City
  • Xasthur
    Defective Epitaph

Recent Articles By Alison Sieloff

Recent Articles By Christian Schaeffer

Recent Articles By Brooke Foster

Recent Articles By Annie Zaleski

  • Sleep State
    8 p.m. Saturday, February 9. Lemp Neighborhood Arts Center, 3301 Lemp Avenue.
  • Soft
    9 p.m. Tuesday, February 12. The Bluebird, 2706 Olive Street.
  • Lloyd Dobler Effect
    9 p.m. Monday, January 14. Bluebird, 2706 Olive Street.
  • Career (Remix)
    The trials and tribulations of R. Kelly.
  • The Aviation Club
    9 p.m. Friday, January 4. Off Broadway, 3509 Lemp Avenue.

Recent Articles By Jaime Lees

National Features


Bottoms Up Blues Gang
www.myspace.com/thebubg
The Bottoms Up Blues Gang — singer Kari Liston, guitarist Jeremy Segel-Moss and harmonica player Adam Andrews — has earned a following the old-fashioned way: by playing its music (a mix of originals, blues and covers) in person and in front of as many people as possible. Perhaps taking a cue from the itinerant troubadours of yesteryear, who always traveled light, the trio has parlayed a voice, a guitar and some harmonicas into (by its count) more than 275 shows a year for each of the past several years. — Dean C. Minderman


Big George Brock
http://www.cathead.biz/BigGeorge.html
When Big George Brock plays the blues, he's coming from two places: rural Mississippi (where he was born) and St. Louis (where he's spent much of his adult life). His music is a raucous collision between the electricity of urban blues and the more idiosyncratic sounds usually found only on front porches and in backwoods juke-joints. As one of the few remaining St. Louis bluesmen of his generation still active, Brock may be a treasure, but he's no museum piece: He can still sing, play harp and put on a show to rival the best in the business. (DCM)


Tom Hall
www.tomhallmusic.com
Tom Hall comes across as a quiet, laid-back kind of guy, both onstage and off, but his guitar playing speaks volumes. After a number of years spent playing electric lead guitar with several popular local blues acts, he began concentrating mostly on solo acoustic performances. His style has since evolved to incorporate blues, folk, country and more into an apparently seamless whole. Hall's guitar technique is impressive, but his musicality, taste and imagination are what really set him apart from the crowd. (DCM)
Riddle's Penultimate Café & Wine Bar, 9 p.m.


Marquise Knox
www.myspace.com/marquiseknox
When people see Marquise Knox perform, they can't help but notice that the singer, guitarist, and harmonica player is still in his teens. However, Knox isn't just good for his age; he's just plain good. Like many young musicians, he's still developing his instrumental and songwriting skills, but Knox's strong vocal abilities and precociously poised stage presence have already helped him make his mark after just a couple of years as an active participant in St. Louis' bustling blues scene. (DCM)
Brandt's, 11 p.m.


Casey Reid
www.myspace.com/caseyreid
Casey Reid is a young blues musician with a beautiful, guttural singing voice. His haunting, dirge-like moan sparkles with unique and lusty authority — even if he uses this gravelly groan to take on traditional blues topics such as love, loss and ladies. Though other musicians frequently back Reid, just his voice and his acoustic guitar are enough to carry songs. Why? His technique — he slaps and pulls the strings rather than strumming them — adds an extra layer of chugging, lazy lamentation to his gritty and intricate compositions. (JL)
Market in the Loop Outdoor Stage, 3 p.m.



Best DJ


Scotty Mac
www.soulsonica.com
DJs often seem to be competing with each other to see who can make the most seamless song transition, or who can throw down the most obscure, hard-to-find wax. But Scotty Mac needs none of this white-label pretense. He seems to be in the DJ game for one thing only: to make some booties bump. He plays "house" music, a danceable genre of electronica rooted in disco and jazz. He spins tenacious tracks featuring big-voiced divas and comfortably predictable beats that manage to keep the energy high and the clubbers shakin' it. (JL)
Pin-Up Bowl, 10 p.m.


DJ Foster
www.foster303.com
DJ Foster's list of professional accomplishments is steadily growing, including scoring the coveted opening spot for Green Velvet at Dante's a few months ago. As he nears ten years of experience playing hard Nine Inch Nails-style techno in front of huge crowds, DJ Foster has recently stepped up his game. His sets were always crowd-pleasing, but there's a new fluidity, a new smooth sexiness to his style. While thick beats drive most electronic music, he has found the ability (and agility) to both work the beats and lift them to a new tech-y, minimalist sound. (JL)
Pin-Up Bowl, 7 p.m.


Rob Lemon
www.myspace.com/roblemon
Rob Lemon is more than just a nocturnal club guy and hard-working scene promoter: He's also a phenomenal progressive-house DJ and producer (he's one-third of X-1). From the monthly parties he hosts at the Upstairs Lounge to running his nightlife Web site (www.velocitystlouis.com) to helping to create chart-toppers (X-1 's "Hypnosis" ranked on Beatport, an online source for electronic music), Rob Lemon is instrumental in keeping St. Louis bumpin'. And he's even won a prestigious RFT Best of St. Louis award! — Alison Sieloff
Pin-Up Bowl, 11 p.m.


Adrian Fox
Not only are St. Louisans fans of Mr. Adrian Fox, but so are the folks in Miami: This DJ represented our fair city at the Ultra Music Festival during the 2006 Winter Music Conference. His sets happily bounce from soaring vocal tracks to the booty-shakers everyone loves, and they perfectly suit any space, from the tiniest lounge to the largest outdoor party. Plus, this tatted fox likes to have a crazy good time — and isn't that all anyone can ask for in a DJ? (AS)


Flex Boogie
www.myspace.com/flexboogie
The ageless DJ Flex Boogie is the right guy to find if you are longing to spend the night grooving to a smooth, boogie-licious set. He's also the proper person to seek out to get down and dive into deep house — and look to him for the nü-breaks, too (or, well, practically everything else). He's just that good! When he's not spreading the love at Urban Lounge, the fab Flex gets to work putting up mixes on MySpace for your downloading pleasure. Plus, he's even been a volunteer-DJ at a Girl Scout fashion show — presh! (AS)
Pin-Up Bowl, 12 a.m.



Best Eclectic/ Uncategorizable


Ghost Ice
Anybody can make a racket. It takes a special set of ears to weave dissonance, clang and harshtronic into a cataclysmic stream of sound that unfolds with the meter and florid beauty of epic poetry, while still pinning your eyes to the back of your skull with brutal force. Ghost Ice cross-pollinates the woofer and the tweeter in just such a manner, giving rise to nocturnal gardens of radiation and shaking acres of tumultuous skree. Rather than stripping bare the bones of the earth and leaving leaden-hearted survivors, Ghost Ice's howls serve as tenebrous lattices for the souls of the haunted dead. On these scything branes of audial force, a new world is built, high above the detritus of the last epoch. Ghost Ice is the destroyer, architect, hero and recorder of this genesis, first and last in the new mythology. — Paul Friswold


Conformists
www.myspace.com/theconformists
In answer to your question: Yes, the Conformists' new album, Three Hundred, is the band doing its own version of a soundtrack for that half-naked Spartan grope-fest movie of the same name. Except instead of Persians, the enemy is complacency. And instead of Spartans, the Conformists have cast themselves as hunger artists. And instead of swinging swords, the Conformists are wielding questions: How much is want? How slow is too quiet? When is a guitar not a vainglorious assault on the senses, but rather an instrument for determining the calculus of desire? Somewhere in the thorny underbrush where intelligence, radical self-deception and foolish rock & roll rub thighs, the Conformists wage their ongoing war against...well, mostly themselves. But what a spectacle. (PF)

Riverfront Times Insiders

  • Local food, music and news blasts
  • Free Stuff