Blogs
  • Go! 3/7-3/9
    06:00PM 03/07/08
  • R.E.M. Accelerate: An Advance Review and Song-by-Song Analysis of the Band's New Album
    04:06AM 03/08/08
  • Your Weekly St. Louis Food Blog Digest
    03:45PM 03/07/08
  • This Is Hawkwind -- Do Not Panic
    06:08PM 11/09/07
Recent Articles

Recent Articles By Eric Davidson

National Features

  • Houston Press
    "It Was Like an Armageddon Movie"

    For days after Hurricane Rita, a Texas prison was hell on earth.

    By Chris Vogel
  • SF Weekly
    The Candidate

    Our columnist knows Ralph Nader's running mate all too well.

    By Matt Smith
  • The Pitch
    How Not To Be a Rap Star

    First of all, lay off the Ecstasy.

    By Nadia Pflaum
  • Village Voice
    Project Runaway

    What becomes a gossip columnist most?

    By Michael Musto

The Rosebuds let their inner mirrorball shine on their third CD. The big-sky guitars, sexy guy-gal vocal volleys and transcendent porch-pop melodies the North Carolina band perfected on last year's Birds Make Good Friends are fitted for more glamorous garb and taken out clubbing. At first, Night drops like yet another perfectly good indie-pop band feeling it must defer to blippy beats for some unproven crossover appeal. When neon beats kick in and singer Ivan Howard hits his lowest notes ("Hold On to This Coat," "My Punishment for Fighting"), the vibe is Human League in scuffed Chuck Taylors. But when the mesh meshes, and the strings brush against those dusky guitar lines and sea-shanty backup "woo-ooh"'s ("Cemetery Lawns," "Get Up Get Out"), the Rosebuds exhibit suave songwriting skills that are far ahead of the mass of indieland swooners. Night falls on the Rosebuds as initially less charming, but ultimately stronger for the dancey dice roll.

Riverfront Times Insiders

  • Local food, music and news blasts
  • Free Stuff

Personal of the Day


More Personals >>
NOW CLICK THIS