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Recent Articles By Roy Kasten

  • The Campbell Brothers
    8 p.m. Friday, February 15 and 11 a.m. Saturday, February 16. Edison Theatre, 6445 Forsyth Boulevard
  • Nina Nastasia
    8:30 p.m. Saturday, February 9. The Bluebird, 2706 Olive Street.
  • Richard Thompson
    8 p.m. Monday, February 11. The Pageant, 6161 Delmar Boulevard
  • Parachute Musical
    9 p.m. Friday, February 1. The Bluebird, 2706 Olive Street.
  • Giant Bear
    9 p.m. Wednesday, February 6. Off Broadway, 3509 Lemp Avenue.

National Features

  • Phoenix New Times
    Canine Crusaders

    That drug-sniffing dog up ahead? He may not be your best friend.

    By Ray Stern
  • Broward-Palm Beach New Times
    The Muscle Men

    Thanks to a string of Florida "anti-aging clinics," baseball's steroid scandal isn't limited to superstars.

    By Michael J. Mooney
  • Miami New Times
    Picked On

    Farm workers earn nada in America's green-bean capital.

    By Janine Zeitlin
  • Village Voice
    "Why I'm No Longer a Brain-Dead Liberal"

    An election-season essay from one of America's greatest playwrights.

    By David Mamet

If you had to pick only one album to sum up the very best of alt-country's best decade — that's the '90s — you'd probably pick the Jayhawks' Hollywood Town Hall or the Bottle Rockets' 24 Hours a Day or maybe Son Volt's Trace. But you'd be remiss to overlook Blue Mountain's best album, Dog Days. Cary Hudson, Laurie Stirratt (sister of Wilco bassist John) and Frank Coutch drew a straight line between three kinds of rock (Southern, alternative and folk) and then torched the whole rural-rock map. Blue Mountain's songs celebrated blue canoes, classic rock radio, a dope-smoking band called Bud and folk heroes Elvis and Jimmy Carter, but its Southern vision wasn't a myth or cliché — it was fresh, irreducible soul. Three albums after Dog Days, the trio called it quits; its appearance at Twangfest will be the group's first show in six years and is not to be missed.

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