Most Popular
-
7-Up vs. Coke Part 2
Heir to a fortune, Andrew Gladney went from John Burroughs to Yale and came home to found the dot-com darling Savvis Inc. Then he squandered it all. The spectacular flameout of a St. Louis soft-drink scion.
-
Red Alert: Everything they really don't want you to know about those pesky traffic-light cameras
-
Ludo is fired up and ready to play on the national stage
-
Curious Gorge: Ian tests the animal magnetism of Three Monkeys
-
Feel a Draught?: Tigín opens an outpost in a Hampton Inn downtown? O'Really!
-
Seeing Red: Partners battle over a Wash. Ave. eatery's ownership (9)
-
Red Alert: Everything they really don't want you to know about those pesky traffic-light cameras (9)
-
7-Up vs. Coke Part 2 (6)
Heir to a fortune, Andrew Gladney went from John Burroughs to Yale and came home to found the dot-com darling Savvis Inc. Then he squandered it all. The spectacular flameout of a St. Louis soft-drink scion.
-
Will Ian flip for the Original Pancake House? (4)
-
Is a Wash. U. dean destroying alumni records and making unjust department cuts? (3)
-
Have two Nirvana producers helped create the next Metallica?
-
"The Sex Song": Not TASTiSKANK's homage to Matthew McConaughey
-
Bret Michaels (sort of) talks dirty to RFT
-
The 75s make an extra-fancy splash with its debut record
-
Producer nonpareil Pharrell Williams is happy to be just one of the band again
-
Go! 3/7-3/9
06:00PM 03/07/08 -
R.E.M. Accelerate: An Advance Review and Song-by-Song Analysis of the Band's New Album
04:06AM 03/08/08 -
Your Weekly St. Louis Food Blog Digest
03:45PM 03/07/08 -
This Is Hawkwind -- Do Not Panic
06:08PM 11/09/07
What we are writing about
- Acuvue
- A Delicate Balance
- Bad Dates
- Best of St. Louis
- Bob Dylan
- Broadway Bound
- Bud Starr
- Cole Porter
- Dogtown
- Dracula
- Edward R. Murrow
- Greetings!
- Halloween
- Jockey
- Joe Edwards
- Kiss Me, Kate
- New Jewish Theatre
- Playhouse Creatures
- Repertory Theatre of...
- Richmond Heights...
- Sage
- Saint Louis University
- Sister’s Christmas...
- South Broadway...
- Star Clipper
- Starrs
- suicide
- William Shakespeare
- wine
- wrestling
Recent Articles By Phil Freeman
-
This Year's (Re)Model
Is Elvis Costello's Aim still true? Plus, B-Sides rocks the Cradle of Filth?
-
Isis
In the Absence of Truth (Ipecac)
-
Relapse Contamination Tour
7 p.m. Tuesday, September 5. Creepy Crawl (3524 Washington Boulevard).
-
From First to Last
Heroine (Epitaph)
-
Grumpy Old Men
Metallica returns with the most anticipated metal album in ages
National Features
-
Houston Press
"It Was Like an Armageddon Movie"
For days after Hurricane Rita, a Texas prison was hell on earth.
By Chris Vogel -
SF Weekly
The Candidate
Our columnist knows Ralph Nader's running mate all too well.
By Matt Smith -
The Pitch
How Not To Be a Rap Star
First of all, lay off the Ecstasy.
By Nadia Pflaum -
Village Voice
Project Runaway
What becomes a gossip columnist most?
By Michael Musto
Chris Cornell can't dance. If he could, he wouldn't have transformed "Billie Jean" into a funkless piano-and-guitar dirge, a trick he pulls eight tracks into his second solo album. Handing Zack de la Rocha his walking papers in favor of Cornell was the best move Audioslave ever made. Cornell has one of the great voices in modern rock gruff, yet powerfully melodic. Frequently trafficking in unexpected imagery, his lyrics jump out amid the hard-rock clichés smothering contemporary radio. And on this album, he's got a solid backing band with another secret-weapon guitarist: the maniacal noise-sculptor and avant-gardist, Gary Lucas of Gods and Monsters. This dude throws one curveball after another at a set of otherwise conventional rock songs. There's a lot of radio fodder on Carry On. "She'll Never Be Your Man," "Disappearing Act" and "Finally Forever" could cross over to country fans, while "Killing Birds" and "Your Soul Today" are reminiscent of Soundgarden's later, weirder albums. But ultimately, it doesn't hold together as an album, because there's no concept beyond "Here's a bunch of songs I wrote" plus that bizarre Michael Jackson cover.







