Blogs
  • Go! 3/7-3/9
    06:00PM 03/07/08
  • R.E.M. Accelerate: An Advance Review and Song-by-Song Analysis of the Band's New Album
    04:06AM 03/08/08
  • The Morning Brew: Monday, 3.10
    10:12AM 03/10/08
  • This Is Hawkwind -- Do Not Panic
    06:08PM 11/09/07
Recent Articles
Related Articles

Recent Articles By Michael Roberts

National Features

  • Houston Press
    "It Was Like an Armageddon Movie"

    For days after Hurricane Rita, a Texas prison was hell on earth.

    By Chris Vogel
  • SF Weekly
    The Candidate

    Our columnist knows Ralph Nader's running mate all too well.

    By Matt Smith
  • The Pitch
    How Not To Be a Rap Star

    First of all, lay off the Ecstasy.

    By Nadia Pflaum
  • Village Voice
    Project Runaway

    What becomes a gossip columnist most?

    By Michael Musto

There's so much about Coheed and Cambria's work that cries out for ridicule: the '70s-art-rock-derived instrumental wankery, or its skyscraping, get-your-Geddy-on vocals. Somehow, though, the act's latest release works in spite of itself. No World for Tomorrow represents the final chapter (although not the final installment) of "The Armory Wars," the epic tale of Claudio Kilgannon, who seeks to avenge the deaths of his parents, named (wait for it) Coheed and Cambria. Deep? Not so much. Fortunately, lyrics such as "Well, baby, be my lover/Go ahead and pull that trigger," from "Gravemakers and Gunslingers," are effective whether they advance the plot or not. Moreover, the technical skill at play throughout the aggressive title track and the closing suite dubbed "The End Complete" outstrips just about anything else on the emo landscape. Granted, the concluding "On the Brink" is so melodramatic that it verges on the laughable — at least until a middle passage that's explosive enough to justify forgiving plenty of prior sins.

Riverfront Times Insiders

  • Local food, music and news blasts
  • Free Stuff

Personal of the Day


More Personals >>
NOW CLICK THIS