Music

Face the Nation

Continued from page 4

This year, the string quartet released a recording of Icelandic act Sigur Rós' "Flugufrelsarinn"; performed with Tom Waits at Neil Young's Bridge School Benefit, and with the queen of Bollywood film soundtracks, Asha Bhosle, at WOMADelaide; and collaborated with Wilco drummer Glenn Kotche. Kronos also released music by Polish composer Henryk Górecki and recorded Terry Riley's quintet The Cusp of Magic with pipa virtuoso Wu Man for release in 2008, among other projects.

Harrington has an insatiable appetite for not just new music but the entire universe of sound. Over the course of our three-hour conversation, he gushes over everything from Swedish pop act Shout Out Louds (a recommendation from his daughter) and cellist Erik Friedlander to field recordings of underwater seals, Southwestern beetles and the singing dog teams of the Canadian north.

"If somebody really loves something, I have to find out about it," he says, sitting in the Kronos practice space next to a plastic shopping bag of his favorite CDs. "If somebody really hates something, I have to find out about it. And as much as I like to go to Amoeba, I don't believe in categories. They have no meaning for me."

With tastes both esoteric and populist (The Lawrence Welk Show first inspired Harrington to pick up the violin), Kronos' leader offers a list of musicians who brought his continents a little closer in 2007.

Damon Albarn, Monkey: Journey to the West: Damon made this fantastic [theater] piece using a Chinese legend. It's like an opera, but it has acrobatics and dance. I met Damon in July and he's now writing a piece [for Kronos]. But that event that he and his team created was just beautiful. He's really inspiring.

Valentin Silvestrov, Bagatellen und Serenaden: Combine John Cage's touch on the piano with Morton Feldman's touch on the piano with my granddaughter's touch on the piano and you'll get the touch of Valentin Silvestrov. He's just exquisitely beautiful. He's from the Ukraine.

Alim and Fargana Qasimov, Music of Central Asia Vol. 6: Spiritual Music of Azerbaijan: Alim Qasimov is one of the great singers of the world; after Nusrat Fateh Ali Khan, there's Alim Qasimov. Fargana is his daughter. She's sung with him since she was a little child.

Joe Henry, Civilians: I don't think enough people know about him. He's a great producer. He visualizes sound in a really complete way. His band is fantastic, and he's someone we'll be working with in the future.

Amiina, Kurr: This is a group that started out as a string quartet. They're from Iceland. I think one of them is married to the keyboardist of Sigur Rós. I met them on tour when we were in Iceland and we rehearsed with Sigur Rós. A lot of people probably wouldn't call Amiina a string quartet on recordings because there isn't a lot of violins and viola and cello; there's a lot of other instruments and sounds.

Valgeir Sigurðsson, Ekvilibrium: Valgeir is an amazing producer. He produced a recording that we made with Kimmo Pohjonen. I would define Kimmo as the Jimi Hendrix of the accordion. We played with Kimmo at the Brooklyn Academy of Music, opening their 25th season, and he wrote this amazing piece we did with Kimmo on accordion.

Múm, Go Go Smear the Poison Ivy: This is their new album that just came out. There are so many sounds and instruments you feel like you're discovering music. I love that feeling, like, "Wow, I've never heard that before; what an interesting way to combine things."

Ruby, Misheet Wara Ehsasi: What I love about this album is not necessarily the songs but the sounds of the instruments; there's some strings in some of these songs that are really cool. Ruby is from Egypt. I don't really know much about her, but I just love the sound of her voice. You can think of the voice as another instrument when you don't know the language, and I almost think of that as an advantage.

M.I.A., Kala: I love it when somebody does something and the bar just gets higher. That's what happened here. [British-Sri Lankan M.I.A. created Kala at different locations around the world after being denied a visa into the U.S. to record.] Our government is harassing a lot of people. It's getting more and more expensive for presenters to bring musicians in from ... Islamic countries. It's getting harder to get good information and music is information.

Nathamuni Brothers, Madras 1974: This is a cool record that was made on somebody's porch in India. The Brothers' group is called a brass band, but it's not really a brass band. There's a certain genius in India for taking something and just making it become something else.

Michael Hearst, Songs for Ice Cream Trucks: Everybody likes ice cream! When I heard this I was like, "Oh, I want to make a kids' album" — maybe because I'm a kid myself.

Ge Gan-Ru, Lost Style: Margaret Leng Tan [who performs on Lost Style] is, like, the foremost toy piano player in the world. On ["Wrong, Wrong, Wrong!"] she's playing all kinds of toys that she found in Chinatown in New York.

Various, Ethnic Minority Music of Southern Laos: [This] is one release of some 35 [releases] on that label. I think I have all of the Sublime Frequencies releases. The Iraqi piece we play I first heard when this particular label released a collection of Iraqi pop music from the '70s and '80s. Basically, I get everything they do — you never know what you're going to hear. There's amazing stuff on this.

Joe Meek, Vampires, Cowboys, Spacemen & Spooks: The Very Best of Joe Meek's Instrumentals: Some people will say this is cheese; I think it's cool. This is a great double CD. Before [Beatles producer] George Martin, this was the guy, but he died tragically. I think through an accident of timing he got overshadowed but I love him. I feel better every time I hear "Night of the Vampire."

Bettye LaVette, The Scene of the Crime: Someone sent me The Scene of the Crime, which I can recommend. I have a great idea — at least I like it — for an album of songs, and now I've finally heard the right voice to join us. We'll see if she might be interested.

— Jennifer Maerz

Miami turntablist whiz DJ I-Dee scratches out his favorite tunes of the year

Unlike possibly 90% of his neighbors, turntablist wunderkind Isaac DeLima did not, in fact, choose his South Beach digs for their proximity to the neighborhood's non-stop party. Rather DeLima, a.k.a. DJ I-Dee, initially landed in Miami almost three years ago from the D.C. suburbs with a plan to attend culinary school. But then his DJ battle career blew up in a big way: In 2005, at barely age eighteen, I-Dee would be crowned one of the youngest DMC competition national champions. He'd quickly rack up a string of further national and international prizes before retiring from the battle circuit just two years later.

Growing up in Fairfax, Virginia, DeLima still remembers when his bedroom DJ brother showed him his first battle video: the 1994 DMC World Championships (Roc Raida was the winner). He was hooked, but only ten years old. No matter; he learned his way around the decks in secret, standing on a box to reach the turntables.

DeLima attended his first regional DMC competition as a spectator in 2001, at age 14. Three years later, he won and qualified for the national DMC championship. In 2005, he won that (and was summarily kicked out of the 21-and-over club as soon as he grabbed his trophy). He would then go on to place third at the international competition in London. In 2006, he took the two biggest remaining U.S. titles on the battle circuit, at the Gong Supremacy and Scribble Jam championships. By age nineteen, he was done, ready to concentrate on his own original music. And he had moved to Miami Beach — for peace and quiet.

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