Most Popular
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7-Up vs. Coke Part 2
Heir to a fortune, Andrew Gladney went from John Burroughs to Yale and came home to found the dot-com darling Savvis Inc. Then he squandered it all. The spectacular flameout of a St. Louis soft-drink scion.
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Red Alert: Everything they really don't want you to know about those pesky traffic-light cameras
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Ludo is fired up and ready to play on the national stage
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Curious Gorge: Ian tests the animal magnetism of Three Monkeys
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Feel a Draught?: Tigín opens an outpost in a Hampton Inn downtown? O'Really!
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Seeing Red: Partners battle over a Wash. Ave. eatery's ownership (9)
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Red Alert: Everything they really don't want you to know about those pesky traffic-light cameras (9)
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7-Up vs. Coke Part 2 (6)
Heir to a fortune, Andrew Gladney went from John Burroughs to Yale and came home to found the dot-com darling Savvis Inc. Then he squandered it all. The spectacular flameout of a St. Louis soft-drink scion.
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Will Ian flip for the Original Pancake House? (4)
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Is a Wash. U. dean destroying alumni records and making unjust department cuts? (3)
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Have two Nirvana producers helped create the next Metallica?
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"The Sex Song": Not TASTiSKANK's homage to Matthew McConaughey
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Bret Michaels (sort of) talks dirty to RFT
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The 75s make an extra-fancy splash with its debut record
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Producer nonpareil Pharrell Williams is happy to be just one of the band again
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Go! 3/7-3/9
06:00PM 03/07/08 -
R.E.M. Accelerate: An Advance Review and Song-by-Song Analysis of the Band's New Album
04:06AM 03/08/08 -
Your Weekly St. Louis Food Blog Digest
03:45PM 03/07/08 -
This Is Hawkwind -- Do Not Panic
06:08PM 11/09/07
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National Features
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Houston Press
"It Was Like an Armageddon Movie"
For days after Hurricane Rita, a Texas prison was hell on earth.
By Chris Vogel -
SF Weekly
The Candidate
Our columnist knows Ralph Nader's running mate all too well.
By Matt Smith -
The Pitch
How Not To Be a Rap Star
First of all, lay off the Ecstasy.
By Nadia Pflaum -
Village Voice
Project Runaway
What becomes a gossip columnist most?
By Michael Musto
Better to burn out or fade away? The current musical tendency to fetishize the past, creating new markets through nostalgia, has come up with a new answer to this timeless rock & roll question: reissue. For the second year in a row, David Byrne has chosen this route, and the world is richer for it. Right on the heels of last year's re-release of My Life in the Bush of Ghosts, Nonesuch Records is reissuing The Knee Plays, another chapter in Byrne's ever-evolving exploration of music across cultural boundaries. Originally conceived as accompaniment for the inter-scene sections of avant-garde playwright and director Robert Wilson's ten-hour surrealist dance/Japanese theater production the CIVIL warS, The Knee Plays predominantly consists of brass-band instrumentals composed by Byrne, with occasional voice-over monologues strongly reminiscent of the odd stream-of-consciousness narrative of Byrne's 1986 feature film True Stories. (Knee Plays hails from the year before.) Knee Plays will sound like a great departure for those who only know Byrne's work from the clipped guitar phrases and thick synth textures of Talking Heads. Knee Plays has no guitars or traditional rock structures, just Byrne at the height of his creative powers, in a constant struggle to define what is interesting, beautiful and ugly about the world.







