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Recent Articles By Christian Schaeffer

National Features

  • Phoenix New Times
    Canine Crusaders

    That drug-sniffing dog up ahead? He may not be your best friend.

    By Ray Stern
  • Broward-Palm Beach New Times
    The Muscle Men

    Thanks to a string of Florida "anti-aging clinics," baseball's steroid scandal isn't limited to superstars.

    By Michael J. Mooney
  • Miami New Times
    Picked On

    Farm workers earn nada in America's green-bean capital.

    By Janine Zeitlin
  • Village Voice
    "Why I'm No Longer a Brain-Dead Liberal"

    An election-season essay from one of America's greatest playwrights.

    By David Mamet

Consider Matt Pond PA to be the Honda Accord of the rock & roll superhighway: not flashy or sexy, but consistently dependable. The New York City quintet's latest record, Last Light, continues the movement away from mannered, cello-enhanced chamber-pop and toward bouncy, reflective indie-rock. While this takes away much of what made the band originally stand out, the seemingly bottomless cache of hooks and melodic breakdowns help preserve the magic of its earlier records. Pond's gently weathered voice is at the forefront on most of these tracks, such as the folksy, jaunty "Wild Girl" and the string-laden "Foreign Bedrooms." You know, the kind of stuff that sounds great coming from the tape deck of your reliable old Honda.

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