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National Features

  • Seattle Weekly
    Back from Iraq

    Camaraderie is in short supply between today's soldiers and older vets.

    By Nina Shapiro
  • Village Voice
    Scientology 's Celebrity Defector

    TV star Jason Beghe reveals secrets of the controversial church.

    By Tony Ortega
  • The Pitch
    Spirited Away

    Can't get a Catholic exorcism in Kansas City? James Vivian is here to help.

    By Peter Rugg

Dean of American blue-eyed soul troubadours, Martin Sexton started out a singer-songwriter in the Marc Cohn or David Gray mold, but his voice set him apart from the new folkies and the AOR nostalgists. His range is spectacular, modulating between doo-woppy precise falsetto, smooth tenor moan and a low, low greasy growl that really does merit the Van Morrison comparisons. His songwriting is rarely so expansive, and the tunes from his most recent album Seeds sound like they were dashed off between trachea warm-ups. No so with his classic work from the mid-'90s, especially "Glory Bound," a song that captures all the spiritual and aesthetic freedom to which one inarguably talented guy with a guitar and a golden voice might aspire.

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