Recent Articles

Recent Articles By Roy Kasten

National Features

  • Broward-Palm Beach New Times
    Last Step to Redemption

    Drug counselor Richard Entrekin swam a little too easily in a sea of sharks.

    By Amy Guthrie
  • Village Voice
    The Cro-Mag Diaries

    Remembering the brutal life and times of John "Bloodclot" Joseph, New York hardcore icon.

    By Rob Harvilla
  • Miami New Times
    Class Warfare

    At a Florida school, kids threaten teachers, whose bosses look the other way.

    By Francisco Alvarado
  • SF Weekly
    Party Crashers

    If you think Ralph Nader won't screw the Democrats again, you're not paying attention.

    By John Geluardi

Allison Moorer has become so identified with the outsider country scene and the singer-songwriter militancy of hubby Steve Earle that one tends to forget her flirtation with mega-stardom in the '90s. But MCA Nashville gave the Alabama native (and sister to country-soul goddess Shelby Lynne) two strikes — the tentative debut Alabama Song and the sublime The Hardest Part — before calling her out and dropping her from the roster. Since then she's stuck to her songwriting guns, even when they fired commercial blanks. But 2008's Songbird is her best effort in years, mostly because Che Earle stays out of the way (he doesn't even get a cut) and because her song selection — including tunes by Julie Miller, Gillian Welch, Nina Simone and Jessi Colter — is unalloyed, solid gold. Her full, open alto is gold, too, only hot and molten.

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