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Recent Articles By Ryan Wasoba

National Features

  • Broward-Palm Beach New Times
    Last Step to Redemption

    Drug counselor Richard Entrekin swam a little too easily in a sea of sharks.

    By Amy Guthrie
  • Village Voice
    The Cro-Mag Diaries

    Remembering the brutal life and times of John "Bloodclot" Joseph, New York hardcore icon.

    By Rob Harvilla
  • Seattle Weekly
    Being Gary Busey

    Everybody thinks Jeff Swanson is somebody famous. And he does nothing to dissuade them of the notion.

    By Aimee Curl
  • SF Weekly
    Party Crashers

    If you think Ralph Nader won't screw the Democrats again, you're not paying attention.

    By John Geluardi

If the third wave of ska is over, either nobody told MU330, or it simply doesn't care. The latter option must be true; in the fourteen years since their first album, the greatest hyperactive horn-tooters in St. Louis have unapologetically crafted a brand of highly damaged ska. Fueled by Dan Potthast's twisted guitar chords and sharp tongue — Weezer and Oingo Boingo are obvious reference points — the band displays a maturity and depth rarely seen in the emo-by-numbers bands that most musicians formed after quitting their ska bands. It's been a while since MU330's last album (2002's Ultra Panic), but the band is proving its disinterest in slowing down at an afternoon barbecue show at Off Broadway. After all, nothing says "summer" like grilled meats and up beats.

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