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Recent Articles By Roy Kasten

National Features

  • Broward-Palm Beach New Times
    Last Step to Redemption

    Drug counselor Richard Entrekin swam a little too easily in a sea of sharks.

    By Amy Guthrie
  • Village Voice
    The Cro-Mag Diaries

    Remembering the brutal life and times of John "Bloodclot" Joseph, New York hardcore icon.

    By Rob Harvilla
  • Seattle Weekly
    Being Gary Busey

    Everybody thinks Jeff Swanson is somebody famous. And he does nothing to dissuade them of the notion.

    By Aimee Curl
  • SF Weekly
    Party Crashers

    If you think Ralph Nader won't screw the Democrats again, you're not paying attention.

    By John Geluardi

The dark, sweet piano march that opens the Brakes' Tale of Two Cities, a collection of precisely choreographed live recordings, snakes into trumpet blats and other sadistic pleasures: "Bite my lip and drain this blood into the ground," croons Zach Djanikian. But that's as rough as these kids from Philly get. Their navigation of '70s AOR and guitar jamming may be their way of liberating Wilcoland from experimental pretensions, but it's also as hooky and swift as a schooner captained by Matthew Sweet. They pay no mind to political winds — "I'm not afraid of the state of the union," sings a blissful Djanikian — but that doesn't make them yacht rockers. A course this smooth and straight raises the question of whether they're having any fun at all; when they cut loose with the guitars you know the answer.

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