Most Popular
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Deadbeats Ho!: Did you pay your tax bills last year? Of course you did unless youre called out in this story.
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OldestProfession2.0: A new generation of local "providers" and "hobbyists" create a virtual red-light district
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Cheesesteak Quest: Can Ian find a decent Philly cheesesteak in St. Louis? Yes, he can!
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Bad Buzz: King Bee building residents have turned on downtown St. Louis developers Sam Glasser and Dave Jump
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Rant Radio: RFT readers weigh in on the meltdown at KWMU
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Radio Active: What has Patty Wente done to create such a meltdown at KWMU? (41)
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Paintless in St. Louis? St. Louis Alderwoman Donna Baringer wants to treat cans of spray paint like they're handguns. (11)
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Rare On Air: St. Louis' own RiverfrontRadio.com is changing the way Web radio is done (8)
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Cheesesteak Quest: Can Ian find a decent Philly cheesesteak in St. Louis? Yes, he can! (6)
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Bad Buzz: King Bee building residents have turned on downtown St. Louis developers Sam Glasser and Dave Jump (5)
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Stone Temple Pilots
2 p.m. Sunday, June 8. Verizon Wireless Amphitheater, 14141 Riverport Drive, Maryland Heights.
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Midwest Mayhem
7 p.m. Thursday, May 22. City Museum, 701 North 15th Street
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RFT Music Awards Nominees: St. Louis' Best and Brightest
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B-Sides takes a Jazz Journey and says hello to Ne-Yo
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Rare On Air: St. Louis' own RiverfrontRadio.com is changing the way Web radio is done
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Study: St. Louis Among Most Polluted in the Country
01:07PM 06/11/08 -
Hear the RAC Stereogum Mix here!
01:50PM 06/11/08 -
Vashon Fouls Out: Wolverines Stripped of Three Missouri State Basketball Titles
01:41PM 06/11/08 -
This Week's Poll: Tacos!
06:43PM 06/11/08
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Recent Articles By Christian Schaeffer
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Wye Oak
9 p.m. Monday, June 16. Off Broadway, 3509 Lemp Avenue
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Turn It Up
New Line rocks out
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The Ultraviolents
The Ultraviolents
(self-released) -
Southern Accents: The Waco Brothers and Caleb Travers bring their stories to Twangfest
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Joanie Loves Bocce
Dont you?
National Features
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City Pages
Harassing the Harassers
Avenging attorney Pete Barry turns the tables on aggressive debt collectors.
By Jonathan Kaminsky -
Houston Press
Bootlegging Dr. Pepper
Eight bucks a six-pack? A small price to pay for authentic, cane-sugar soda.
By Robb Walsh -
Phoenix New Times
The Wrath of Wal-Mart
The giant retailer screws over an elderly greeter who made the mistake of drinking a Coke at work.
By Paul Rubin -
Cleveland Scene
Another Thing Comin'
Rock Star painted him as a wannabe, but Ripper Owens is doing better than ever.
By Denise Grollmus
Jumbling Towers
Classy Entertainment EP
(self-released)
By Christian Schaeffer
Published: June 11, 2008
The indie-rock superpower Pavement was not especially known for asking poignant questions, but the 1997 single "Stereo" contained one such query: "What about the voice of Geddy Lee / How did it get so high? / I wonder if he talks like an ordinary guy." One could ask the same question of Jumbling Towers singer and keyboardist Joe DeBoer, whose voice is not so much high as it is manicured and overwrought. In his songs, nearly every syllable is given some kind of emphasis, either with a lilting vocal glissando or a spittle-flecked snarl; they're not so much sung as they are delivered. First-time listeners face an immediate choice: Accept DeBoer's manic, convulsive singing style in all of its performative glory, or write the band off as overly preening and pretentious. Pick the first choice, music lovers, and enjoy some of the most tightly constructed, convincingly performed indie rock in town.
For the Classy Entertainment EP (available as a free download on www.jumblingtowers.com), the band amplifies the best traits from its self-titled debut and does away with the slower bits. The keyboard is still the focus on these songs, though DeBoer has moved away from relying solely on the Rhodes electric piano and incorporates acoustic piano to drive "Sal" and analog synth stabs to punctuate the EP's title track. Kyle McConaghy's guitar moves around more on Classy Entertainment, particularly in the demented surf-tones he emits in "Fortune." J. Christopher Hughes' production gives these six songs room to breathe while providing a crucial element of restraint. An almost industrial-sounding layer of ambient noise hovers above "Apartments," giving the song a palpable sense of doom while suggesting an Eno-esque amorphousness.
At six tracks and seventeen minutes, it's hard to think of this as a stand-alone release; it feels more like a collection of new songs being tested for a forthcoming album. And as such, it succeeds in illustrating Jumbling Towers' still-evolving sound and reminding listeners that there is still good reason to be excited about this band.— Christian Schaeffer
Want your CD to be considered for a review in this space? Send music c/o The Riverfront Times, Attn: Homespun, 6358 Delmar Boulevard, Suite 200, St. Louis, MO 63130. Email music@riverfronttimes.com for more information.







