Recent Articles
Related Articles

Recent Articles By Ryan Wasoba

National Features

  • City Pages
    Harassing the Harassers

    Avenging attorney Pete Barry turns the tables on aggressive debt collectors.

    By Jonathan Kaminsky
  • Houston Press
    Bootlegging Dr. Pepper

    Eight bucks a six-pack? A small price to pay for authentic, cane-sugar soda.

    By Robb Walsh
  • Phoenix New Times
    The Wrath of Wal-Mart

    The giant retailer screws over an elderly greeter who made the mistake of drinking a Coke at work.

    By Paul Rubin
  • Cleveland Scene
    Another Thing Comin'

    Rock Star painted him as a wannabe, but Ripper Owens is doing better than ever.

    By Denise Grollmus

More nostalgic than innovative, the Casualties are almost a tribute band to an aesthetic, following the punk-rock rules by the book rather than writing their own chapter. As such, the New Jersey quartet may be the most bare-knuckled, no-nonsense punk band to exist in this millenium. Obsessed with the early-'80s New York hardcore scene, the band seems to have no interest in steering away from the short/fast/loud/pissed traditions of its genre. Warped Tour stalwarts Rancid have experimented with reggae and countless other punks have adopted the use of vocal melodies, but the Casualties prefer to bash out thrashy riffs and present hooks in the form of chants of social discourse such as "No! More! Media control!" — making albums like 2006's Under Attack the sonic equivalent of middle fingers, studded jackets and wood-glue mohawks.

Riverfront Times Insiders

  • Local food, music and news blasts
  • Free Stuff