Blogs
  • Go! 3/7-3/9
    06:00PM 03/07/08
  • R.E.M. Accelerate: An Advance Review and Song-by-Song Analysis of the Band's New Album
    04:06AM 03/08/08
  • Your Weekly St. Louis Food Blog Digest
    03:45PM 03/07/08
  • This Is Hawkwind -- Do Not Panic
    06:08PM 11/09/07
Recent Articles

Recent Articles By Michael Roberts

National Features

  • Houston Press
    "It Was Like an Armageddon Movie"

    For days after Hurricane Rita, a Texas prison was hell on earth.

    By Chris Vogel
  • SF Weekly
    The Candidate

    Our columnist knows Ralph Nader's running mate all too well.

    By Matt Smith
  • The Pitch
    How Not To Be a Rap Star

    First of all, lay off the Ecstasy.

    By Nadia Pflaum
  • Village Voice
    Project Runaway

    What becomes a gossip columnist most?

    By Michael Musto

Creatively speaking, Sweden's Gustav Ejstes, the man behind Dungen, refuses to remain earthbound. On Tio Bitar, he takes listeners on a trip to the Fab Nebula, where almost everything within earshot sounds literally out of this world. Ejstes's ingredients will be familiar to fans of psychedelia, prog and musical weirdness in general; they include power-pop harmonies, frequent tonal shifts and soloing that ranges from sweet and gentle to frenetic and unhinged. But the way he employs these elements brims with vitality. "Intro," dominated by Reine Fiske's fuzz-tone guitar freakout, transitions into "Familj," a tuneful air with a melody as bright as a solar flare. Later, on "Så Blev Det Bestämt," Ejstes blends pop, classical, jazz and Eastern European folk music as if doing so were the most natural thing imaginable. The lyrics are in Swedish, so non-Scandinavians won't have clue one about what Ejstes is singing. In this context, though, the mystery of his meanings only enhances the other oddities on display. For the length of this disc, space is hardly the final frontier.

Riverfront Times Insiders

  • Local food, music and news blasts
  • Free Stuff

Personal of the Day


More Personals >>
NOW CLICK THIS