Blogs
  • Go! 3/7-3/9
    06:00PM 03/07/08
  • R.E.M. Accelerate: An Advance Review and Song-by-Song Analysis of the Band's New Album
    04:06AM 03/08/08
  • Your Weekly St. Louis Food Blog Digest
    03:45PM 03/07/08
  • This Is Hawkwind -- Do Not Panic
    06:08PM 11/09/07
Recent Articles
Related Articles

Recent Articles By Michael Roberts

National Features

  • Houston Press
    "It Was Like an Armageddon Movie"

    For days after Hurricane Rita, a Texas prison was hell on earth.

    By Chris Vogel
  • SF Weekly
    The Candidate

    Our columnist knows Ralph Nader's running mate all too well.

    By Matt Smith
  • The Pitch
    How Not To Be a Rap Star

    First of all, lay off the Ecstasy.

    By Nadia Pflaum
  • Village Voice
    Project Runaway

    What becomes a gossip columnist most?

    By Michael Musto

The latest by Leslie Feist has earned hosannas aplenty, and many of them are deserved. Still, because the best numbers on The Reminder are inherently subtle, the CD needs time to work its magic. Feist's modesty is on display from phrase one: Her first words are "I'm sorry." Not that she owes any apologies. "So Sorry," the track in question, initially seems pretty prosaic, but as minimalist keys and understated background vocals supplement the spare arrangement, Feist's distinctively emotive singing and plainspoken lyrics combine to create a wonderfully romantic glow. "The Water," an impressionistic piece with a deliberate ebb and flow, is equally stirring. And if several of the comparatively uptempo cuts are less memorable, the eccentricities of "Sealion" and "Past in Present," both of which feature more than their share of hand-clapping, make them worth hearing — and hearing again. At first, Feist's music doesn't seem all that feisty. After a few spins, though, most music lovers will be ready to redefine the term.

Riverfront Times Insiders

  • Local food, music and news blasts
  • Free Stuff

Personal of the Day


More Personals >>
NOW CLICK THIS