Most Popular
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7-Up vs. Coke Part 2
Heir to a fortune, Andrew Gladney went from John Burroughs to Yale and came home to found the dot-com darling Savvis Inc. Then he squandered it all. The spectacular flameout of a St. Louis soft-drink scion.
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Red Alert: Everything they really don't want you to know about those pesky traffic-light cameras
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Ludo is fired up and ready to play on the national stage
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Curious Gorge: Ian tests the animal magnetism of Three Monkeys
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Feel a Draught?: Tigín opens an outpost in a Hampton Inn downtown? O'Really!
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Seeing Red: Partners battle over a Wash. Ave. eatery's ownership (9)
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Red Alert: Everything they really don't want you to know about those pesky traffic-light cameras (9)
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7-Up vs. Coke Part 2 (6)
Heir to a fortune, Andrew Gladney went from John Burroughs to Yale and came home to found the dot-com darling Savvis Inc. Then he squandered it all. The spectacular flameout of a St. Louis soft-drink scion.
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Will Ian flip for the Original Pancake House? (4)
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Is a Wash. U. dean destroying alumni records and making unjust department cuts? (3)
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Have two Nirvana producers helped create the next Metallica?
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"The Sex Song": Not TASTiSKANK's homage to Matthew McConaughey
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Bret Michaels (sort of) talks dirty to RFT
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The 75s make an extra-fancy splash with its debut record
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Producer nonpareil Pharrell Williams is happy to be just one of the band again
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Go! 3/7-3/9
06:00PM 03/07/08 -
R.E.M. Accelerate: An Advance Review and Song-by-Song Analysis of the Band's New Album
04:06AM 03/08/08 -
Buffalo Brewing Co.
12:21PM 03/10/08 -
This Is Hawkwind -- Do Not Panic
06:08PM 11/09/07
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Recent Articles By Michael Roberts
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Puscifer
"V" Is for Vagina
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Coheed and Cambria
No World for Tomorrow
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Puscifer
"V" Is for Vagina
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Coheed and Cambria
No World for Tomorrow
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Ben Harper and the Innocent Criminals
Lifeline (Virgin)
National Features
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Houston Press
"It Was Like an Armageddon Movie"
For days after Hurricane Rita, a Texas prison was hell on earth.
By Chris Vogel -
SF Weekly
The Candidate
Our columnist knows Ralph Nader's running mate all too well.
By Matt Smith -
The Pitch
How Not To Be a Rap Star
First of all, lay off the Ecstasy.
By Nadia Pflaum -
Village Voice
Project Runaway
What becomes a gossip columnist most?
By Michael Musto
As with Contraband, the first Velvet Revolver CD, Libertad is an amalgam of its influences: some good (Guns N' Roses), others less so (Stone Temple Pilots). Still, the unregenerate retro-ness of the project — and of Slash's axing in general — will leave those with a taste for cock-rock at least temporarily sated. The best songs bookend the disc: "Let It Roll," the opener, is an appropriately succinct scorcher, while "Don't Drop That Dime," a hidden track, is the Stones' country-ish "Dead Flowers" by way of the Betty Ford Center. In between, Scott Weiland pours on plenty of STP, and if the slickness doesn't prove fatal on "She Mine," it clogs up "The Last Flight" and a dreadful cover of ELO's "Can't Get It Out of My Head." As for "Pills, Demons & Etc.," yet another of Weiland's gonna-stay-clean proclamations, the tune's nothing special until Slash's solo — after which it goes back to being nothing special again. This last bit of guitar wankery goes on for just eighteen seconds. Still, it feels mighty nice while it lasts.
